A good way to start is with Bianco Cervino, the Matterhorn White of the blank slate.
Text
David Staretz
Photos
Matthias Mederer · ramp.pictures
The car is called Roma, the city is Berlin. That’s basically all you need to know, because the car is white and fleeting, and the city, well, hopefully no longer as it appeared to the traveling gourmet and journalist Wolfram Siebeck, who imagined Berlin as “one huge construction site”. So let’s focus on the contrast, on the magic of opposites that we hope to experience as an alternative to the everyday routine.
Myth, legend, emotions, these are such unbearably hackneyed terms, largely misused by marketing departments. The wonderful thing about a Ferrari is that as soon as it is actually standing there in front of you, it immediately begins to cultivate its own myth. Here it stands and cannot do otherwise – a gift to the world. Just looking at the car is usually enough. Then it delivers the proof, the moment you start the engine (it doesn’t even have to be the twelve--cylinder), composing a densely orchestrated -performance onto your nerves like notes on a sheet of music.
Berlin seems to come to a halt to offer the white Gran Turismo the space it demands.
The Roma embodies the timeless charisma that makes icons. Like a great song, it seems to have always been there, a manifestation of aggressive elegance, underpinned by 612 horses of power, classically delivered via an eight-speed dual-clutch transmission, driveshaft and differential to the rear wheels by a V8 twin turbo pushed well back over the front axle. Classic hood, classic trunk.
What makes this car particularly provocative is this white, Bianco Cervino, Matterhorn White, which extends to the shark nose and the flared-up arches, making it appear almost bare-chested, with lowered guard and open visor, as if there were no insects, no splatters of tar, no road chippings, as if the world’s filth could just bounce off it, literally making itself scarce in the face of such pristine beauty, armed with nothing more than the thorny spear of a white rose.
Here it stands and cannot do otherwise – a gift to the world.
1/4
→ Read the full text in rampstyle #34 »On Any Sunday«
David Staretz
Freelance Author
David Staretz, born 1956 in Horn. Since 1976 editor, then chief editor of Autorevue. Since 2000 freelance author: car tests for various magazines, writes and photographs travel reports and artist portraits. In his gallery, Kontor Staretz, he builds kinetic objects and puts them on display to amuse passers-by. In 2004, the book Lenk mich doch! Geschichten rund ums Auto was published by Deuticke.
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