Cars

OCTA.

A Defender with as much power as the OCTA raises an eyebrow.
Rightly so.

It was built for exactly this purpose.

  • Text
    Michael Köckritz
  • Photos
    Land Rover

A name that sounds as if someone had designed it with a ruler and pencil: OCTA. Short. Tough. Without romance. No myth, no pathos. Rather a term that says: We know what we're doing. OCTA. Full stop.

OCTA refers to the number eight. To the octahedral shape of the diamond, to hardness directly linked to desirability – fitting for the most powerful model in the Land Rover Defender series to date. We, on the other hand, immediately think of the 8-speed automatic transmission. Eight gears, eight options, eight clear answers to very different situations. Performance is not celebrated here; it is managed with a very consistent matter-of-factness. British thinking: lots of power, but please without drama. Fair enough.

And that brings us to the real question: does a Defender have to have so much power?

Historically speaking: no.
Culturally speaking: not necessarily.
And yet the answer is more complicated today.

But first things first:

The classic Defender was slow. Sometimes painfully slow. 70, 80, later a good 100 hp, which was considered sufficient. More was unnecessary, perhaps even suspicious. Performance was not a goal, but a secondary aspect of torque, gear reduction and stubbornness. The Defender didn't go fast. It drove on.

This was precisely where its dignity lay.

The early Defender stood for robust practicality. Developed for farmers, expeditions, the military, aid organisations. For work. For places where there were no roads - and often no alternatives. The early Defender was honest to the point of harshness. You could feel everything: the ground, the weather, the mechanics. Comfort? Not an issue. Its promise was simple: it would get you through. Not fast. Not comfortable. But reliable. It was a tool, not a statement. It was simply there because it was needed. Never beautiful in the classic sense and with a certain indifference to trends. But credible.

That's why he was never cool at the beginning of his career. He became cool because he didn't care. A quality that you can't learn.

Over time, the world changed. Vehicles became heavier, safer, more complex. Roads faster, expectations higher. Performance took on a new role. It suddenly meant safety, confidence and relaxation. No longer "how fast", but "how relaxed". As the ability to remain calm, while everything else accelerates with excitement.

This is where the OCTA space begins.

1/3

The OCTA is not a break with the idea of the Defender. It is its contemporary intensification. An extreme variant, yes. Performance-enhanced, without question. But not in the sense of a primarily sporting ego, but as a response to the possibilities and desires of a modern, distinctly multifaceted world that offers us a wide range of options for well-tailored comfort and technology temptations. Not to open up, but to be prepared. It is not a muscle car in a camouflage suit. Rather a highly professional athlete with style and a British accent. A gentleman sportsman with a calm smile, who is allowed to let you know when the time is right. But not necessarily. The real pleasure in the adventure jungle of emotions lurks in the knowledge that you could. And how.

In this light, the Dakar is more than just a footnote. It is not a nostalgic adventure, but a two-week, brutal endurance test over around 8,000 kilometres, thousands of which are under special conditions, in heat, dust and constant stress. Endurance and resilience become the decisive currency: cooling, structure, software, material. The fact that the Defender is competing here in 2026 in a near-series category is not a marketing gimmick, but a revelation of its own engineering logic. Participation alone is a statement. Arriving counts more than applause. Arriving is the proof. And that's where the real meaning lies.

The Defender belongs there. Somehow it always has. The Dakar is the modern translation of what it was built for: to keep going when things get uncomfortable. Performance here is not vanity, but insurance.

The OCTA does not exaggerate this idea. It pushes it further. The OCTA is not a Defender for every day. But it sharpens the image of the Defender as a whole, because it knows why. It shows what is possible if you take the principle seriously. If you understand the Defender not as a lifestyle quote, but as an idea: to be prepared. It does not disguise itself as the past. It does not apologise for the present. It simply says: the world has become more demanding. So we have added to it. Politely. Thoroughly. With a raised eyebrow instead of a raised index finger.

Culturally, the Defender lives in two worlds today. Urban and remote. Styled and dusty. Iconic, but deliberately modern. A vehicle that is suitable for a vernissage on Fridays and a geological event on Saturdays. The OCTA emphasises this dual role. More ability, less need for explanation.

At its core, the OCTA is still a true defender of preparation. For adventurousness in the contemporary sense. It is aimed at people who are looking for freedom without sacrificing safety, comfort or technology. It promises the quiet certainty of being able to set off at any time - and keep going if necessary. Performance as a reserve. Performance as calm authority.

The OCTA doesn't shout. He does not pose. He simply blocks his calendar as a precaution.

Or, to use the words of our British friends:

Better to have it and not need it than the other way around.

And yes - for a Defender, that feels pretty much right.


landrover.com

Michael Köckritz

Michael Köckritz

Editor in Chief
As a journalist, author, artist and media maker, Michael Köckritz succeeds time and again in creating both attention-grabbing and sustainably stimulating impulses in the context of contemporary and future topics as well as lifestyle and luxury worlds. As publisher and editor-in-chief, he has realised a whole series of book and lifestyle magazine formats that have regularly won numerous national and international awards over the years. The car culture magazine ramp, the men's lifestyle magazine rampstyle and the design magazine ramp.design are published internationally and are considered style-setting.

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