Which detail of the Tourbillon do you consider particularly artistic?
We decided early on to use an analog cockpit, because displays age quickly, but an analog clock, for example, is still desirable even after a century. In our view, this philosophy also increases the value of this car and consolidates it with regard to time. At the beginning, we had no idea how to implement this technically. But we soon found the right way – thanks in part to watchmakers from Switzerland.
So does a product have to be analog to be more than just a machine? Is that the path to timelessness?
A resounding yes. As humans, we ourselves are “analog” – and alive. Analog things appeal to our senses differently and much more directly. It's about art, about craftsmanship. The Bugatti Tourbillon naturally features state-of-the-art technology, but this serves solely to make the connection between driver, car, and road more tangible – not to artificially distort it.
Art instead of artificiality, and technology in the service of emotion?
Exactly. Technology should enhance the emotional experience – not replace it.
Does that mean that performance data is secondary for you?
(Laughs) No, performance remains central – but it serves the experience. Our drive technologies enable the incomparable feeling when accelerating or cornering.